Director Osamu Dezaki started a revolution at Tokyo Movie in the 70s, according to this 1997 interview on The Adventures of Gamba.
Before the Golden Days: Of Mice and Osamu Dezaki
The Other Half of the Golden Combo: Akio Sugino Interview – Work History & Other Resources (Part 6/6)
A comprehensive list of Sugino's anime industry work, and other Japanese resources that contain interviews.
The Other Half of the Golden Combo: Akio Sugino Interview – Animation and Akio Sugino (Part 5/6)
"I went back and forth to America over the span of a few years and designed these characters. But ultimately I got dropped from [Nemo]. It was really quite unfortunate."
The Other Half of the Golden Combo: Akio Sugino Interview – Establishing Annapuru (Part 4/6)
"When the production for Tomorrow’s Joe 2 was confirmed, we pleaded with the company president to let us just focus on Tomorrow’s Joe 2 instead of working on two shows in parallel. We wanted to do it justice. But we were told it would be a waste of resources from a business perspective. That rejection caused a rift, and I left with Dezaki to form a new company."
The Other Half of the Golden Combo: Akio Sugino Interview – Work Outside of Tokyo Movie (Part 3/6)
"Yes. I distinctly remembering meeting with (Isao) Takahata several times in Sakuragaoka. We’d have two hour meetings just to talk about 30 shots."
The Other Half of the Golden Combo: Akio Sugino Interview – Madhouse and Tokyo Movie (Part 2/6)
Tokyo Movie also adapted Attack No. 1. Initially with Aim for the Ace! I was told to adapt it just like they had done for Attack No. 1. But it became very clear that if Dezaki was helming the adaptation of Aim for the Ace! then it was not going to turn out like that.
The Other Half of the Golden Combo: Akio Sugino Interview – Mushi Production Era (Part 1/6)
"I barely got published in two [gekiga] magazine volumes. I have those volumes stored away. No one has seen them. (Osamu) Dezaki was under the impression that none of my submissions got picked up for publication, but I proudly informed him otherwise."
キネ旬ムック 動画王 Vol.7 杉野昭夫 ロングインタビュー
杉野昭夫 ロングインタビュ
Unconstrained Life Carves Deep – Royal Space Force: The Wings of Honnêamise
"Upon rewatching Royal Space Force today, it stands in stark contrast to Hayao Miyazaki's The Wind Rises." A review by Kiyoaki Ōkubo of Royal Space Force: The Wings of Honnêamise.
Anime Boston 2019 City Hunter: Shinjuku Private Eyes Q&A
City Hunter: Shinjuku Private Eyes was screened at Anime Boston 2019. These are the transcripts of the Q&A sessions that took place, featuring director Kenji Kodama, screenwriter Yoichi Kato, producer Goh Wakabayashi, and producer Naohiro Ogata.
Tom’s World Interview with Art Director Hiromasa Ogura
In this long interview, art director Hiromasa Ogura talks about his early career, Tomcat's Big Adventure, Royal Space Force, Ryūtarō Nakamura, Mamoru Oshii, Gainax, Kobayashi Production, and much more.
The Afterword of GoShogun: The Time Étranger
In the afterword of the GoShogun: The Time Étranger novel, original creator and screenwriter Takeshi Shudo provides us with insight into the public reception of GoShogun as well as his own ideas on what GoShogun is supposed to be about.
『戦国魔神ゴーショーグン 時の異邦人（エトランゼ）』のあとがき
『戦国魔神ゴーショーグン 時の異邦人（エトランゼ）』のあとがき
Website Name Change: Heisei Etranger
New name for this place
Theoretical Nostalgia
I don't understand people.
