"I went back and forth to America over the span of a few years and designed these characters. But ultimately I got dropped from [Nemo]. It was really quite unfortunate."
"When the production for Tomorrow’s Joe 2 was confirmed, we pleaded with the company president to let us just focus on Tomorrow’s Joe 2 instead of working on two shows in parallel. We wanted to do it justice. But we were told it would be a waste of resources from a business perspective. That rejection caused a rift, and I left with Dezaki to form a new company."
"Upon rewatching Royal Space Force today, it stands in stark contrast to Hayao Miyazaki's The Wind Rises." A review by Kiyoaki Ōkubo of Royal Space Force: The Wings of Honnêamise.
In this long interview, art director Hiromasa Ogura talks about his early career, Tomcat's Big Adventure, Royal Space Force, Ryūtarō Nakamura, Mamoru Oshii, Gainax, Kobayashi Production, and much more.
In the afterword of the GoShogun: The Time Étranger novel, original creator and screenwriter Takeshi Shudo with provides us insight into the public reception of GoShogun as well as his own ideas on what GoShogun is supposed to be about.
『戦国魔神ゴーショーグン 時の異邦人（エトランゼ）』のあとがき
Toshio Okada reveals details about some of the strife between Ryuichi Sakamoto and the other staff on Royal Space Force.
Sourced from the 25th anniversary book
An accessible, analytic take by Haramaki Neko on the music of Royal Space Force and its effect on the movie.
If you have not yet watched Goshogun: The Time Étranger, close this window and go watch the movie before reading this. You are doing yourself a massive disservice otherwise.
However, to this day there still isn't a single script I've written since that matches the especially unrestricted one I wrote for "The Time Étranger" of "Sengoku Majin GoShogun".
